Colonial Georgian
This afternoon it all came together. I’ve been researching house designs, although I more or less have a firm idea of the type of house I’ll build. Basically a courtyard house. Three buildings; two pavilions, running north-south and a third barn- type building at the southern end, all forming a U. I have almost decided on strawbales for the construction and I’m wondering about a steel frame for the barn, as apparently its not altogether advisable to go too high with straw bales. I like the idea of straw bales because I like the idea of thick walls.
What gelled this afternoon, were the design influences. Basically I thought today, it’s a Georgian style house with a verandah. Lo and behold, this is exactly the description in one of the books I’ve beem reading, describing how the Georgian style of architecture was modified for Australian conditions by the addition of a verandah.
Rouse Hill House is a fairly typical example.
I then began to wonder where exactly on earth, this influence in me had stemmed. And I remembered my sometime youth living in the midlands of Tasmania and being absolutely blown away by the houses that belonged to the friends of my parents.
Here is a photograph of a house that had a profound impact on me.
It has been added onto over the years and the original was built sometime in the 1830's and comprised only that part of the structure to the left. It wasn’t a particularly large house but it did have the obligatory servants quarters out the back, and (oh!) stables! It also had the most incredibly spooky cellar, near the entrance through a wooden door down cold stone steps to a completely pitch dark stone lined chamber. And it was haunted (of course).
I went to the best New Year’s Eve party I’ve ever been too at this house. I wore a pink bib and brace dress with a flounce and white knee high, patent leather lace up boots. It was 1973. I was nine years old. All the adults got incredibly pissed and a fight broke out between the host and a man who I remember was reputed to be filthy rich and as if to drive home the point, was that night brandishing a very newly minted (?) fifty dollar note . My mother had a drunken accident dancing with another woman and they crashed into a sideboard. My father ferried them back to his surgery in Campbell Town and stitched up her chin. He was as pissed as a newt, but did a fine job. I assisted or more probably looked on agog. He was so drunk he was swaying. He was the only doctor in town, (heh). She barely had a scar. I remember this woman, she and her family lived in this house. (Amazing huh?) It had a head room. A room absolutely chokker block with the heads of wild animals one of their ancestors had shot on safari in Africa. It was very unnerving all those eyes staring down dumbly from the walls. There was even a stuffed bear and its cubs. The family used to sit, cool as cucumbers at one end, watching tele. How, I will never understand.
The Georgian style is basically the one that as children most of us drew to illustrate a basic house--a square with a hipped roof, two windows upstairs, two windows down and a front door dead centre. A simple style based on carefully calculated symmetries.
Reading about Australian domestic architecture I’d have to say that it all went horribly pear-shaped, as far as I’m concerned sometime after 1850. The Art Noveau influences of the ‘Californian’ bungalow of Federation, the interiors of which are too heavy, too dark and too cold for my liking and the Victorian era of lacy wrought-iron work too fussy.
This description of houses could quite easily apply today.
By far the majority of houses are built by speculators; which means that they are very badly built , run up in a tremendous hurry, constructed of the cheapest and nastiest materials, with thin walls—in short, built for show, and not for use. Everything looks very nice in them when you walk around just after they are built, and it is only after you have lived in them for eighteen months that you being to understand why the owner was in such a hurry to sell. . . . R.E.N. Twopenny, 1883.
I've found a wonderful site that basically lists all the incredible buildings I knew as a child. They're all ancient and fundamentally all Georgian. Clearly this was when I first became impressed and influenced by architecture.
When we finally moved back to Sydney and I got a horse, I used to ride around the 'new development' areas in the suburb where we lived. Being on top of a horse gave a great vantage for peering over fences. I remember coming home one day, and declaring that the majority of these new B.V. monstrosities ought be bombed, they reminded me of cash registers. That day I was 'going to be' an architect.










